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Antoine is forty years old. Happily married to a woman he loves, father to two beautiful children, a brilliant lawyer, one could say that he has made a success of his life. But one day Antoine has an unexpected, irrational, and earth-shattering encounter. One that is also a little scandalous as well. Antoine encounters God, something he just did not expect. Not at all ! Nor did his wife.

Vincent, a triumphant forty-something, is about to become a father for the first time. Invited to dinner at the home of Élisabeth and Pierre, his sister and brother-in-law, he reunites with Claude, a childhood friend. While awaiting the arrival of Anna, his eternally late wife, he is pressed with questions about his impending fatherhood, all in good humor... But when Vincent is asked if he has already chosen a name for his unborn child, his answer plunges the family into chaos.

The art of drawing was of enormous importance in Ancient Egypt. Outline drawings made with a pen or brush formed the basis of all pictorial representations during the pharaonic period, whether paintings, bas-reliefs, statues or even architecture. Even Egyptian writing consisted exclusively of images. The art of drawing was practiced in Egypt for almost three millennia according to precisely defined rules. From Sakkara to the Valley of the Kings to the extensive collections of European museums, Bernard George's documentary provides an insight into the most beautiful works, their creation and their religious and magical significance, which played such an essential role in Egyptian civilization.

女儿的记忆中父母关系总是不太好，一天她偶然得知了关于母亲初恋的秘密后，竟然为母亲的爱情感到一丝惋惜……但当破碎的记忆被拼凑完整，故事由主人公自己讲述后，那竟是另一个纯粹质朴的爱情故事了。||可能，女儿的记忆也没有出错，那些磕磕绊绊，就是父母真实的成长过程和爱情线吧。

A widow of a billionaire, Marie-France Dubreuil-Joris is also a renowned pianist. Trying to manage her fortune as well as possible, she entrusts most of it to her banker, whom she particularly appreciates. But his butler also has after his money.

When little Jirka Novák and his classmate Zdeněk's family take part in a merry Santa Claus journey through the city, he has no idea how important a change in his life this evening will bring. The story of a ten-year-old boy who unexpectedly discovers his grandfather, with whom his parents had separated forever years ago, sensitively tells of the loneliness from which little Jirka finds a way out and manages to bring his grandfather back to the family.

Accompagnant la fin de l'exposition Particules de Nuit, Apichatpong Weerasethakul répond dans ce court-métrage à la question « Où en êtes-vous ? » et met en scène son bureau, son environnement de travail, ses gestes de recherche et de création. 　　Le bureau qui avait peur déploie une exégèse de quelques vers du poète thaïlandais contemporain Uten Mahamid et la façon dont le cinéaste et artiste s’en nourrit, ainsi que d’autres œuvres, pour donner naissance à une œuvre fictionnelle. Ce court métrage accompagne la fin de l’exposition Particules de Nuit / Night Particles au Pavillon Brancusi, et la mise en sommeil des salles de cinéma du Centre Pompidou le temps des travaux à venir dans l’ensemble du bâtiment.

Accompagnant la fin de l'exposition Particules de Nuit, Apichatpong Weerasethakul répond dans ce court-métrage à la question « Où en êtes-vous ? » et met en scène son bureau, son environnement de travail, ses gestes de recherche et de création. 　　Le bureau qui avait peur déploie une exégèse de quelques vers du poète thaïlandais contemporain Uten Mahamid et la façon dont le cinéaste et artiste s’en nourrit, ainsi que d’autres œuvres, pour donner naissance à une œuvre fictionnelle. Ce court métrage accompagne la fin de l’exposition Particules de Nuit / Night Particles au Pavillon Brancusi, et la mise en sommeil des salles de cinéma du Centre Pompidou le temps des travaux à venir dans l’ensemble du bâtiment.